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HARRY POTTER & THE PHILOSOPHER STONE

2003 Harry Potter & The Philosopher's St

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© timian prod. 2001-2003

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​composed, performed & produced by

tim elliott

inspired by the novel by j.k. rowling

& the movie by chris columbus

 

original recording :

june 18-30, 2001

additional recording & arrangements :

december 2002 - january 2003

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keyboards :

yamaha psr-510

korg x5dr

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length

70'57

E.T. (1993)

E.T. (1993)

E.T. (1993)

back to discogallery TIM ELLIOTT

tracklist

a few words about...

​the boy who lived (2'29)

incident at the zoo (2'47)

the letters from no one (3'51)

hagrid (2'59)

voldemort (1'36)

diagon alley (3'17)

platform 9 3/4 (2'28)

ron (2'55)

draco malfoy (2'28)

welcome to hogwarts (6'50)

snape (2'02)

the midnight duel (3'54)

the mirror of erised (1'15)

quidditch (3'26)

snape & quirrell (2'27)

the forbidden forest (2'59)

fluffy (2'11)

devil's snare (2'01)

the flying keys (2'37)

ron plays chess (2'28)

hermione & the potions (3'02)

shadow & vapour (3'44)

gryffondor wins ! (3'18)

back to london (3'02)

Back to soundtrack !

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Harry Potter is one of the main cultural events of the end of the Twentieth Century and beginning of the Twenty-First. As a book series first, that I have been lucky enough to discover it before its success began to blow up in France.

And then as a movie series, starting with The Philosopher's Stone nicely directed by Chris Columbus.

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I took inspiration from both of them to write this music, trying to going back to the innocence that conducted me when I was 16-17 and composing Jurassic Park as a happy feast of music.

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Well, I was not 17 anymore, and it was not so easy this time. I achieved a first version in 2001, which was too long and didn't work very well in a frustrating sluggish way.

I started to work on my next project, then went back two years later to Harry Potter to reassemble it in a more dynamic version, with new arrangements of some tracks that desperately needed them.

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Finally Harry Potter is a hopping 70-minute long album, with a lot a cinematographic themes for the main characters and a carefree and refreshing spirit.

The same spirit, I hope, that radiated from the first book from the series, which then made Harry Potter a massive changing turn in the way to consider youth literature.

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Now I still want to compose music inspired by the following books and movies. I wrote a few pieces for The Chamber of Secrets, but there is still a lot of work to achieve it, and I'm currently working on the Replay Project which I find more exciting for now.

So patience is required once more...

TP

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